Please join us on September 5 at 1:00pm as Dr. Marianne Cotugno (ENG) solves the mystery of a reprint gone wrong!
Conrad Richter's historical fiction trilogy The Awakening Land (our September book discussion on 9/11/19 features the first book, The Trees) was reissued by Ohio University Press in 1991, but something was "ruined" (in the opinion of an Amazon reviewer).
Dr. Cotugno will explain that there was no error, and delve into larger questions about online reviews, authorial revision, and publication history.
We will meet in Room 110 of the Gardner-Harvey Library. Light refreshments will be provided.
For more information, please read the review in question and the description offered below by Dr. Cotugno (spoiler-free!):
“Being intimately familiar with the original publication of this trilogy, I can say with utmost disdain that whoever was responsible for taking the liberties of rewriting what was very nearly perfection must have a great fondness for soap operas and should stick with romance novels instead. Not only are there additional passages inserted that were never written by Conrad Richter, there are also altered meanings of existing passages that totally change the flavor and the original intent. There are so many instances in all three volumes that I don't even know where to begin with examples. This is by far the most appalling reprint of an award-winning piece of historical fiction I have ever witnessed. You would do better to find a used copy from the original publisher, Alfred A. Knopf, Inc.”[1]
This talk will answer that question - which took me down a rabbit hole that raises larger questions about online reviews, authorial revision, and publication history.
[1] Zolasattic. Review of The Fields, by Conrad Richter. Amazon, 27 June 2018, https://www.amazon.com/Fields- Rediscovered-Classics-Conrad- Richter/product-reviews/ 1613737424/ref=cm_cr_arp_d_ viewpnt_rgt?ie=UTF8& filterByStar=critical& reviewerType=all_reviews& pageNumber=1#reviews-filter- bar .
[2] David McCullough, foreword to The Trees, by Conrad Richter (Chicago, IL: Chicago Review Press, 2017), i.
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